"Blithe Spirit" a fun and elegant romp at Pit & Balcony

Amy Spadafor Loose as the dead wife returned and Lucy Malacos as the medium seeking to send her back

review and photos by janet i. martineau

Dealing with someone who is dead is much less problematic than dealing with someone who has merely "passed over."

Especially if she is a jealous wife. Who has been called back by mistake. And has an agenda.

That is the premise of Noel Coward's "Blithe Spirit," an oldie but still goodie on the theater scene -- and opening tonight (March 20) for a two-weekend run at Saginaw's Pit & Balcony Community Theatre.

Saginaw Valley State University staged this 1940-era period piece earlier this season; its cast, shall we say, more youthful energetic. Pit's production is a more mature one, shall we say, its  performances and pacing more subdued. And both were/are absolutely splendid -- a joy of contrasts we did not anticipate as a critic.

Michael Wisniewski directs at Pit, he being a familiar face as a director and actor at Bay City Players. He also designed the magnificent set and also is its costume designer.  

The set -- that of wealthy Brits -- is total eye candy and richly detailed: a massive filled book case, pieces of art hung everywhere, flowers in vases and plants on the porch, lovely furniture, billowing curtains, a sliding door that covers the wooden steps leading to other parts of the house.

Add to that is the upper crust costuming, and in the case of the meddling madame an overwhelming array of necklaces.

And Wisniewski does not resort to an over abundance of special effects, as some productions do. He lets the lines do the work, and the movement of his actors.

Thus enter the cast, excellent all.

Michael Curtis as a novelist who has arranged a seance for research and Cathie Stewart as his prune-faced fussy wife.

Amy Spadafore Loose as the novelist's smirky and snotty dead wife, brought back by eccentric and flamboyant medium/madame Lucy Malacos.

David and Audrey Lewis as an elegant couple invited to the seance...and they are ever-so elegant.

And Karen Fenech as the always-in-a-hurry maid.

Great facial expressions all always. Solid diction (and hurrah no microphones in this production). Excellent delivery of the witty lines that are the hallmark of this play. Fluid movement for its farcical aspects. Timing solid. Just a snag or two with English accents fading and and a line fumbled.

Loose as the returned dead wife is a particular delight, only heard and seen by her hubby.  She is just so wonderfully smirky and snotty you want to go up on the stage and slap her face -- and she sports a fun dead-like pale face.

Malacos also is an athletic and scatter-brained medium...a person not quite right but interesting to watch in her hysterical actions. (And by the way, she did the same role when she was in high school.)

Listen also to the pre-show and intermission music which also fits the period.

The show is written long and talky ... but it flies by.


For more photographs: 

https://www.facebook.com/media/set/?set=a.824795140926519.1073741875.136619663077407&type=1

Midland's "Cabaret" scary stuff with outstanding choreography

Adam Gardner as the Emcee in the Midland Center for the Arts production of "Cabaret"

review and photographs by janet i. martineau

Midland’s production of “Cabaret” is scary...very, very scary.

Yep, it is set way back there in Berlin 1931, as the Nazis rise to power.

And the Kander and Ebb musical, which won a slew of Tony and Oscar awards, dates back to 1966.

Enough time has passed that it will come off as history, right?

Um, no, actually. We won’t get all political on ya, but headlines in the news recently make it all too relevant, familiar, sad....and scary.

“What Would You Do?” as one of songs poignantly asks.

Or, says the Emcee as he dances with a gorilla, if you could see her as he sees her “she wouldn’t look Jewish at all.”

Director Keeley Stanley-Bohn has assembled herself a fine cast in this Midland Center for the Arts musical, opening tonight and running through March 28. But what she also got was an excellent choreographer, Kelli Jolly.

This show MOVES. The dance numbers are athletic (especially the one involving chairs), deliciously naughty (the Kit Kat Klub is a model of depravity), inventive and the hallmark of the show. We want more, even though there are plenty.

And the singing matches the choreography. Outstanding. Be they solos or ensemble numbers.

Richard Bronson, cast as the American Cliff Bradshaw, has very little singing but oh my word WHAT A VOICE.

And Adam Gardner as the seedy Emcee, Emily Anderson as Brit Sally Bowles and Carol Rumba as Fraulein Schneider, who owns a boarding house, raise hair on the neck as well.

To give you a clue...toward the end Rumba sings an impassioned and determined “What Would You Do?” followed by Anderson’s meltdown in “Cabaret.”

We have no pictures to post from those two numbers because they grabbed us by the throat immediately and we were caught up so totally in listening to and seeing the emotion on their faces we forgot to click the camera.

Gardner, as usual, was superb in everything -- singing, acting, dancing. Does this man ever falter in a role? The show has him all over the place as a silent witness and as a vocal participant. 

It was fun, too, watching Anderson, who normally plays sweeties (like Maria in “Sound of Music”). This show stretches her tremendously and she captures Sally’s grit very well in the acting part and totally in the song and dance department.

Other strong performances are delivered by Kaitlyn Riel as the sailor-loving prostitute Fraulein Kost and Colin Russell as the hidden Nazi Ernst Ludwig.

The German and British accents are strong and consistent. And the show moves moves well, with cast members quickly moving set pieces on and off.

But there are a few negatives. Like some detailing....don’t think there were plastic hangers in 1931 and a line about being balding by an actor with a thick head of hair. Some annoying offstage noise. A totally blown ending.

And the curious set by Evan Lewis. In an interview the director said its purpose was to capture Berlin’s cultural decline and that it was set in an abandoned library (Nazis being book burners) with the orchestra ON the circulation desk.

If I had not read this I would not have had a clue what it was trying to say. And while parts of it were intriguing mostly it jarred the eye on a variety of levels -- chiefly in making the orchestra too visible and in leaving an odd gaping hole at the left. But hey, at least it tried a new concept.

And thankfully the power of the show itself, Jolly’s choreography and the vocal power overcome those issues.

For more pictures:

https://www.facebook.com/media/set/?set=a.820739754665391.1073741873.136619663077407&type=1

You are in good company with Bay City Players "Company"

The single guy (Dan Taylor) holding the P, his three girlfriends far right and his five married couple friends

review by janet i. martineau

photos by michelle ouellette

When you are single, sometimes your married friends drive you nuts.

That, in a nutshell, is the premise of Stephen Sondheim's quirky musical "Company," playing the Bay City Players Oct. 9-12 and Oct. 16-19.

Directed by Mike Wisniewski, this production is graced with a plethora of gorgeous singing voices, delightful choreography and beautiful sounds eminating from the orchestra pit. That it is a bit draggy and sometimes the acting skills wobble is of small concern.

Danessa Hellus

For those unfamiliar with Sondheim, his music is an absolute nightmare of multiple complexities -- hence the fact I called "Company" a quirky musical. It demands much of  singers, it demands much of its orchestra and it demands much of its audiences with its fits and starts, unusual patterns, and sometimes discordant notes.

Added to that is the screwy storyline, told in a series of vignettes surrounding a 35-year-old single man named Robert, or Bobby, Weaving in and out of his life are five married couple friends, all of whom think he should get married despite the fact their own marriages are "complicated."

They engage each other in a oneupsmanship karate contest,  divorce only to live together again, get high on drugs, panic on their own wedding day --  one moment extolling the virtues of marriage and then in the next breath expressing doubts.

The reflective song "Sorry-Grateful" sung by three of the male spouses (Dale Bills, Trevor Keyes and Steve Moelter) sums it up, and dramatically is one of the stronger moments.

Added to that mix on stage are three of Bobby's on again off again girlfriends, themselves oddballs and of doubtful marriage quality.

So there you have it -- a mix of madcap music and madcap people.  And with virtually every cast member having at least one vocal solo or one moment of extended dialogue, there is no margin for error.

Fortunately in this production, only one cast member fails. We will leave him/her unnamed. The rest have one or more shining moments.

Kori Orlowski and Randall Manetta

Dan Taylor as Bobby is in virtually every scene and his three solo pieces are an absolute treat for the ears. Danessa Hellus absolutely owns "Another Hundred People." Denyse Clayton's sarcastic tones and movement in "The Little Things You Do Together"'  and "The Ladies Who Lunch" are rock solid delightful.

Kori Orlowski as the panicked bride sings in a machine gun the style during "Getting Married Today." While it is mostly unintelligible because of its rapid fire, it is nonetheless remarkable. 

Contrasting with her in that number is the exquisite high soprano churchy sound delivered by Amy Britt, which raises here on the neck.

And in what may be the show's most complicated song in terms of timing, Shanna Fancey as the goofy flight attendant girlfriend and Taylor deliver in sync in "Barcelona."

With the use of risers and alcoves, Wisniewski leaves all of the actors onstage all of the time, at home in their own dwellings in subdued lighting when not performing. Totally works as if to say even when not around our friends are still playing roles in our lives.

The use of those risers and choreographer Holly Haga Bills also keep the show moving effectively. And watching her choreography build step-by-step in "Side by Side by Side" is one of the evening's highlights, leaving the entire cast winded.

Released in 1970, the Tony-winning,"Company" still nails it when it comes to the world of human dilemma.

Pit & Balcony's "Hands on Hardbody" eccentric, funny, insightful

The contest is about to begin

review and photographs by janet i. martineau

Imagine, in real life, lasting 71 hours standing upright with one hand always on the body of a Nissan truck. Often in the hot Texas sun. With only a 15 minute break every six hours.

Imagine, in real life, being the director of a musical and for the final dress rehearsal one of your major leads is too sick to perform. So you fill in, script in one hand, hoping he will be well enough by opening night.

Both scenarios converged Thursday night at Saginaw’s Pit and Balcony Community Theatre with the Tony-winning show "Hands on a Hardbody," based on a documentary about a real competition to win a truck.

We know Thomas Wedge is an accomplished and inventive director. Getting to witness his considerable acting chops and singing skills was an added bonus on this night. Something that occurs very rarely in the world of theater. That he blended in with the rest of this cast was remarkable; his contestant character a cynical, smart-mouthed jerk.

As for the show itself, it is eccentric, funny, insightful and all heart as it examines the hopes and dreams and life situations of 10 working-class, down-on-their-luck Americans. The ensemble song "Used to Be" will break your heart as it touches a deep nostalgic chord.

And oh that real Nissan truck that shares the stage – it spins, honks, becomes a drum set, and displays both its headlights and back up lights during the show. An 11th character participating in the contest.

There is also an inventive dance number with one its two dancers seated in an office chair with wheels.

Michael Curtis as the oldest contestant

This could've been a rather stagnant show given its one set with a big old truck right in the middle. But Wedge, also the choreographer, keeps the thing alive with the  movement of that truck and its attached cast which crawls all over and around it.

To be honest, some of the singing voices are a little on the weak side, a few of the actors need to work on their diction skills and others weren't quite there yet within their characters. The all-white backdrop also is jarring, taking away from the alleged setting of a car dealership.

The show itself is far less engaging when they're competing and is strongest during those 15 minute breaks every six hours as well as when, one by one, they drop as contestants until the last person is standing.  And its script is also cliched and kinda predictable. 

But there are so many many dynamic moments.

Brian Bateson is cast as a sullen, silent contestant....until his solo song "Stronger." Major goosebump time with his vocal and acting prowess; won't be a dry eye in the place. Beautifully lit too (as is the entire show),  and with artful cast movement around him.

Then there is Ann Russell-Lutenske, cast as a god-loving, gospel-singing contestant. She rocks the place with "Joy of The Lord," during which, because of fatigue, she starts to lose it and gets a case of the giggles, then starts singing until the rest of the contestants do the same -- and then they collectively use the truck, all of them, as a percussion instrument. Cool, cool, cool.

She is also one of the most effective actors in the cast, and there are several other times when her singing powers also manifest themselves magnificently.

And Michael Curtis is cast as the oldest contestant, a physically and emotionally aching sad sack. His two vocal numbers, duet/solo combinations with cast wife Holly Jacobs, are heart-tuggers as he too is strong in his acting skills throughout and she matches him in her brief stage time. Their "Alone With Me" is a beautifully written song.

Other strong performances are delivered by "slutty" Meagan Eager and "sweet" Randy Robinson as two of the other contestants and Kale Schafer and Toysha Welsh Sinclair as the conniving car dealership employes. Sinclair is so wonderfully sassy.

A shout out too for music director Loren Kranz and his music ensemble. Never overpowered things and enhanced the mood considerably.

"Hands on a Hardbody" runs this weekend and next weekend.

For more pictures: 

https://www.facebook.com/media/set/?set=a.732963346776366.1073741869.136619663077407&type=1

"Shrek The Musical" a fun, high-energy show at Midland Center for the Arts

The fire-breathing Dragon (and its puppeteers) menace Donkey

review and photos by janet i. martineau

Tap-dancing rats. Rotating trees. A farting/belching contest. All our favorite fairytale characters side by side. A wise-ass donkey with semi dreadlocks. And a massive pink-hued dragon.

People...if you have kids, or there is still some kid left in you, hustle over to the Midland Center for the Arts to see its production of “Shrek The Musical.” It is fantastic. Brimming with high-octane energy and eye-popping color, fun one-liners for all ages, cultural references all over the place (from Nancy Kerrigan to classical ballet), sight/sound gags galore (the Lord’s CARRIAGE, when it backs up, goes “beep, beep, beep”), and all-heart with its message.

We went to the final dress rehearsal, with several youngsters of all ages in attendance. And ya know what....the ones around us never got restless or fell asleep. That is how fully detailed and wonderfully paced this production is, artfully directed by Bill Anderson Jr. There is simply not a dull moment.

Laura Brigham as Fiona and True Rogers as Shrek

While the colorful and inventive costumes and wigs were rented from a California company, the sets and dragon puppet are local.  The set design by Kristen O’Connor and Evan Lewis is simple but totally effective -- in the style of cardboard cutouts or storybook popups. 

At no point do the set pieces threaten to overpower the actors...a good thing... and they are nearly silent as they move on and off while the acting action continues. 

And the dragon puppet...well, we simply fell in love with it, and the massive singing voice of Dawn Inman behind it.

Speaking of impressive singing voices. This production has a plethora of them. True Rogers as Shrek, Laura Brigham as Princess Fiona, Manny Sandow as Donkey, the ensemble numbers.

And Dale Bills as the pint-sized Lord Farquaad! He acts and sings his entire role ON HIS KNEES, with tiny little legs attached to his waist. Little legs. Full size head. Quite a sight. 

Imagine the effort it takes to move and to get enough air in the lungs to sing. Yet he is the the most powerful projection and diction-perfect in the cast. Man, this guy knows how to nuance a song.

A particularly effective scene is Fiona as a youngster, teen and adult (played by Luca Jolly, Laurel Hammis and Brigham). We see them one at a time in their castle tower in “I Know It’s Today,” changing in age progression seamlessly until they all converge in a lovely, lovely trio.

While Anderson’s cast delivers 100 percent in itsacting abilities, always always in character with great facial expressions and lively body inflections, choreographer Kelli Jolly moves them well throughout in great dance numbers. By the way, we did a little counting. There are 31 cast members playing 42 roles, give or take. So it keeps them busy changing costumes and characters.

Gread sound from the pit as well via music director Jim Hohmeyer and his musicians.

“Shrek The Musical” came loaded with its clever script, enjoyable songs, and lovely message about not judging people by their looks and seeing famed fairytale characters in a new way. Midland’s production makes it shine all the more.

Performances are Sept. 20-21 and Sept. 26-28.

For more pictures: https://www.facebook.com/media/set/?set=a.726461444093223.1073741867.136619663077407&type=1

Summertime abounds with free outdoor concerts, movies in Saginaw, Midland, Bay City

Saginaw Area Youth Jazz Ensemble

compiled by janet i. martineau

Saginaw, Midland and Bay City once again offer a long list of free outdoor concerts and movies this summer. All readers need to do is pack up a lawn chair or blanket and head on out to....

PRIDE’S Friday Night Live

5:30-9pm in Morley Plaza, next to the Temple Theater at 203 N. Washington in Saginaw. Those 17 and under must be accompanied by an adult. Food and drink vendors.

-- July 11, Classic Rock Night. Headliner: Sound Alternative. Opening: Grefe, Gaus, Grefe

-- July 18, Country Night.  Headliner: Chris Stapleton. Opening: Mandi Layne & The Lost Highway

-- July 25, Latin Night.  Headliner: Baraja De Oro. Opening: Conjunta Champz

-- Aug. 1, Jazz Night. Headliner:  Michigan Jazz Trail Big Band. Opening: Robert Lee Revue

-- Aug 8, Oldies Night.  Headliner: Billy Mack & The Juke Joint Johnnies. Opening: Josh Ramses Band

-- Aug. 15, Motown Night. Headliner: KGB. Opening: Soul Street

KCQ Country Music Fest

7am-5pm Saturday, June 21, on Ojibway Island in Saginaw. (Section 98 seating $29.98, preferred gold seating $9.80, parking on island $15 -- rest of island free seating and parking off island free). Classic car show, food tent, arts and crafts show, children's area.

-- 11am, Dani Vitany and Ten Hands Tall

-- 1:30 pm, Frankie Ballard

-- 3:30pm, Montgomery Gentry

Montgomery Gentry

20th Anniversary Freak Show

Noon-9pm Saturday, June 14, in Midland's Central Park, Rodd at Collins. Coolers and picnic baskets welcome. 

-- 12:00 No Strings Attached

-- 12:45 Poetry Reading by Larry Levy

-- 1:15 Cody Cruz Box and Will Jackson

-- 2:00 Brett Mitchell 

-- 3:00 Fireball's Revenge 

-- 3:15 Mellodic Terror

-- 4:15 J.Parx Band

-- 5:00 Killer Kong

-- 6:00 The Outlaws of Zen 

-- 7:00 Dan and Adam 

-- 8:00 Devils on Your Shoulder

Freeland Palooza

12:30-10pm Saturday, June 14, in  Tittabawassee Township Park, 9200 Midland Road in Freeland.

Performing are War Machine, a KISS tribute band, along with Greta Van Fleet, Deadman Serenade, Kyle Mayer, The HitMen, Ban Shee, Barbarossa Brothers, Magic Flight, Marsupial Creampie and Armor The Forest. Activities for the kids:  arts and crafts, a bounce house and a climbing rock.

Jazz in the Garden

7pm Wednesdays in the Andersen Enrichment Center Rose Garden, 120 Ezra Rust in Saginaw.

-- July 9, Brush Street with Julie Mulady

-- July 16, New Reformation Band

-- July 23, Cool Lemon Jazz

-- July 30, Saginaw Area Youth Jazz Ensemble 

Old Saginaw City Lawn Chair Film Festival

Dusk on Sundays, corner of Ames and N. Hamilton in Saginaw. Food vendors.

-- June 29, "American Hustle"

-- July 6, "Breakfast at Tiffany's"

-- July 13, "Young Frankenstein"

-- July 20, "The Grand Budapest Hotel"

-- July 27, "The Big Lebowski"

-- Aug. 3, "The Lego Movie"

-- Aug. 10, "Dancing Queen"

-- Aug. 17, "X-men: Days of Future Past"

Tunes by the Tridge 

Unless otherwise noted, 7-9 Thursdays by the Tridge in downtown Midland.

-- June 12, Ray Kamalay & His Red Hot Chili Peppers, jazz

-- June 19, The Hit Men, R&B/Motown

-- June 26, Loose Change, rock

-- July 3,  Matt Moore, Christian

-- Friday, July 4, at 5:30-7:30 pm: Butch Heath, country; 8-10 pm: Steve Armstrong and the 25 Cent Beer Band, country

-- July 10, The Saucecats, Cajun/zydeco

-- July 17, Double Dawn, country

-- July 24, David Gerald, blues

--July 31, Resonators, percussion

-- Aug. 7, ROCK the Tridge, Battle of the Bands

Party on McCarty

5:30-9pm Thursdays on the grounds of the Saginaw Township Soccer Complex, 3576 McCarty. Food vendors. Beer and wine tent. Concerts free but $5 for parking on site.

-- June 12, Margarita Night. Bullseye Band with special guest Ali Denman and Air Margaritaville

-- June 26, Hot Mix Night. Dani Vitany and Ten Hands Tall Band and Cancel Monday with special guest Shubha Vedula

-- July 10, 80s Night. Riptide with special guest Elizabeth Soule and Jedi Mind Trip with special guest Jenny Cohen

-- July 24,  R&B/Motown Night. Honesty and the Liars with special guest Rachael Garner and Serieux

-- Aug. 7, Country Night. 25 Cent Beer Band and Mandi Layne and the Lost Highway featuring special guest Rachel Seamon

-- Aug. 21,  Classic Rock Night. Under Advisement

Frankenmuth Concerts in the Park

7pm Sundays at the Palmer Schau Platz in Memorial Park. Hot dogs, popcorn, nachos, strawberry shortcake, hot fudge sundaes, root beer floats, soft drinks for sale.

-- June 22, Elvis Tribute featuring professional actor Max Pellicano.

-- June 29, Tribute to the Rat Pack. A celebration of the lives and music of Frank Sinatra, Dean Martin and Sammy Davis, Jr. 

-- July 6, Johnny Cash by Terry Lee, who has appeared on stage with Marty Robbins, Bill Anderson, Ernest Tubb, Sonny James, Conway Twitty and Willie Nelson. 

-- July 13, Abbamania, a Canadian-produced musical which takes you back to the disco era of one of its best bands.

-- July 20, Bee Gees "Stayin' Alive" Tribute

-- July 27, Neil Diamond Tribute, featuring Will Chalmers.

-- Aug. 3, The Diamonds, performing the songs that made them famous, like “Little Darlin," “Kathy O” and “Why Do Fools Fall in Love."

-- Aug. 10, Tribute to John Denver

Wednesdays in the Park

6-6:45pm opening act, 7-8:30pm headliner, Wenonah Park in downtown Bay City.

-- June 18 , Your Generation featuring 50 Amp Fuse, a musical revue from 60’s to present. Opening Act: Bob Hausler

-- June 25 , Bay Concert Band. Opening Act: The String Thing

-- July 9 , Battle of the Bands winner Operation 13 . Opening Act: Elements of Funk

-- July 16 , Saginaw Elite Big Band. Opening Act: Jason Singer

-- July 23 , Bee Gees “Night Fever” tribute act. Opening Act: The Seagulls

-- July 30 , Jimmy Buffet “Pirates of the Caribbean” tribute act. Opening Act:  Oehrlein Dance School

-- Aug. 6 , Phil Dirt and the Dozers. Opening Act: Joe Balbaugh

Saginaw Eddy Concert Band

(NEW VENUE) 7pm Sundays in First Merit Event Park, 300 Johnson in Saginaw.

-- June 14, "Dance Fever Under the Stars"

-- June 22, "Summer Songs"

-- June 29, "Musical Travelogue"

-- July 3, "Star Spangled Spectacular"

-- July 13, "Oldies, Hits and Favorites"

-- July 20, "Celebrations and Holidays"

-- July 27, "3M: Marches, Movies and Musicals"

-- Aug. 3, "The Best of the Eddy Band"

Tittabawassee Township Concerts in the Park

Unless otherwise noted, 7pm Wednesdays in Tittabawassee Township Park, 9200 Old Midland Road in Freeland.

-- June 18, Butch Heath Country Classic, 5-10pm (rain date June 25), food and drink vendors. Burt Watson Chevrolet in Freeland will run a free shuttle from its dealership on M-47 to the concert grounds from 4 p.m. to close. 

-- July 9, The Beets, music from 1950s-1990s

-- July 16, The Sinclairs, rock/pops/classics

-- July 23, Laurie Middlebrook Family Night, country music, with a beer tent, food vendors, activities for children 

-- July 30, Empty Pockets, rock

-- Aug. 6, Pete Woodman and The Hips, classic rock/Motown/blues

-- Aug. 13, Honesty and the Liars, rock/pops/blues

-- Aug. 19 (a Tuesday), Pangbourne and the District Silver Band, a British brass band from England

Thomas Township Picnic in the Park

6:30-9pm Tuesdays in Roethke Park, 400 Leddy Road in Shields. Concessions.

Brush Street With Julie Mulady

-- June 17, Day 8 Band

-- June 24, The Toppermost Beatle Tribute

-- July 8, Brush Street with Julie Mulady

-- July 15, The Beets

-- July 22, Butch Heath and the Country Reunion

-- July 29, The Rock Show

-- Aug. 5, Laurie Middlebrook Band

-- Aug. 12, CEYX

-- Aug. 19, The Bullseye Band

Music From the Marsh

7-8pm Saturdays at the Bay City Recreation Area Visitors Center, 3582 State Park Drive in Bay City. In case of rain, moves indoors at the adjacent Saginaw Bay Visitors Center. Concerts. Free but there is a vehicle entrance fee to the park.

-- June 14,  Bob Hausler, “Flag Day & Patriotic Songs”

-- June 21, Jill Jack,  "Jill Jack's Pure Michigan"

-- June 28, Elden Kelly, “Gibson Guitar...Born & Bred in Kalamazoo”

-- July 5, Doug E. Rees, “Making Tracks with Train and Truck Songs”

-- July 12, Lee Murdock, “Great Lakes Ghosts & Shipwrecks”

-- July 19, George Heritier, “Drunk Bugs & Bay City Ballads”

-- July 26, John Latini, “Baseball, Beaches & Other Summer Time Songs”

-- Aug. 2, Siusan O’Rourke & Zig Zeitler, “Our People: Migration to Michigan” 

-- Aug. 9, Dave Boutette, “Saturday Night With the Campfire Kid”

-- Aug.16, Magdalen Fossum (age 13),  “Girls Rock! Women Who Made History in Michigan” 

-- Aug. 23, Jamie-Sue Seal, “Motown...Hits & History from Hitsville USA”

-- Aug. 30, Jay Stielstra & Judy Banker, “Manistee Waltzes & Tittabawassee Tunes” 

.

Classic Legacy Band of Saginaw

At 7:30pm June and July; 7pm August in the Andersen Enrichment Center Rose Garden, 120 Ezra Rust in Saginaw.

-- June 19

-- July 17

-- Aug. 21

Fridays at the Falls

6-7pm Fridays at Third Street Waterfall Park, Third and Water Streets in Bay City.

-- July 4, Scott Baker and the Universal Expression

-- July 11, Magic with Tommy Anderson

-- July 18, The String Thing

-- July 25, The TOYZ

-- Aug. 1, Singer/Songwriter Andy Reed and Friends

-- Aug.  8, Big Dreams

-- Aug. 15, Magic and Ballon creations with Cameron Zvara

-- Aug. 22, Josh Ramses Band

Historical Society of Bridgeport Concerts in the Park

7-8:30pm Tuesdays by the Donna Lamb Memorial Gazebo in the Bridgeport Historical Village, 6190 Dixie Highway. If  weather is bad, concert inside site's Old Town Hall. Popcorn, pop and water available.

-- July 8, Crockpot Band, classic country

-- July 15, Knee Deep, variety

-- July 22, Treblemakers, Operation 13, rock

-- July 29, Sandra Bauman, polkas and waltzes

-- Aug. 5, Bob Holtzapple's Talent Roundup

-- Aug. 12, Laurie Middlebrook / Eva Stone Trio, acoustic

-- Aug.19, Road Dawgz, classic rock

-- Aug. 26, The Baytones, big band

Dow Gardens in Midland

Noon-1:30pm Wednesday. Technically these events are not free. The gardens at 1809 West St. Andrews sells a yearly pass for $10, which makes them close to free, or $5 per visit without purchase of the pass

-- June 18,  Gary & Julie Tussie, blues and jazz

-- June 25,  Stringtown Trio, Irish folk music

-- July 2,  Honesty & Jim, oldies

-- Runs through Aug. 20, rest TBA

Folk Music Sundays:

4-6 pm July 6 and Aug. 3